Éditions Dervy
The Fleur-de-lis
For nearly seven centuries, the fleur-de-lis has embodied one of the most powerful symbols of the French monarchy. Appearing in royal heraldry during the Middle Ages, at the time of the great Gothic cathedrals, it is set within a spiritual context marked by the ideal of light and elevation notably promoted by Suger. Behind this Christian interpretation, however, lie older origins that continue to fuel research and historical debates.
Over the centuries, the fleur-de-lis has accompanied the assertion of royal power and the gradual construction of the French state. Present on seals, coins, banners, coats of arms, and monuments, it became much more than a simple ornament. It embodies both the authority of the sovereign, the identity of the kingdom, and the continuity of a political tradition that has left a lasting mark on French history.
When the monarchy gave way to modern regimes, the question of its legacy remained. An exclusively royal symbol or a true national emblem? This debate was particularly lively in the 19th century, as France sought new political landmarks. The presence of the fleur-de-lis on countless municipal coats of arms, sometimes inherited from the Middle Ages, testifies to its deep roots in French heritage.
Richly illustrated, this work aims to trace the history of this fascinating emblem, explore its origins, its evolutions, and the multiple meanings attributed to it. It invites readers to rediscover a symbol omnipresent in architecture, heraldry, and the collective imagination, whose influence spans the centuries to the present day.
Over the centuries, the Grail has established itself as one of the most striking images of the Western medieval imagination. The 19th century, with the revival of interest in the Middle Ages, esotericism, and the neo-Gothic movement, gave it new popularity. Since then, it has continuously inspired artists, writers, and researchers. Its abundant iconography, symbolic richness, and the many mysteries surrounding it continue to fuel reflection. Even today, more than two hundred sites across Europe claim a real or legendary connection to the quest for the Grail, proof of the enduring fascination exerted by this extraordinary symbol.
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Information & features
- Author: Nicolas Tereshchenko
- Publication date: April 2007
- Size: 14cm x 22cm
- Weight: 266g
- ISBN: 979-1-02-421799-4
- Version:
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Buy The Fleur de Lys at our esoteric shop
For nearly seven centuries, the fleur de lys has accompanied the history of the French monarchy and has become one of the most recognizable symbols of the kingdom. Appearing in royal heraldry during the Middle Ages, at the time of the great Gothic cathedrals, it gradually established itself as a sign of authority, continuity, and political identity. Behind its association with royalty and Christian tradition lie older origins that continue to fuel historical research and debates about its true meaning.
An emblem at the heart of French history
Over the centuries, the fleur de lys appears on royal seals, coins, banners, coats of arms, and monuments. It accompanies the gradual construction of the French state and becomes much more than a simple decorative motif. This work traces this evolution by showing how this symbol established itself in the political, religious, and cultural landscape of the kingdom. It also explores the different interpretations attributed to it according to the eras and schools of thought.
A dive into a symbol still alive
After the disappearance of the monarchy, the fleur de lys continues to provoke questions and debates. A royal emblem for some, an element of national heritage for others, it remains present on countless municipal coats of arms and many historical monuments. Richly illustrated, this work invites readers to rediscover the history, evolutions, and multiple meanings of this major symbol of the French imagination. Through architecture, heraldry, and popular traditions, it shows how the fleur de lys has endured through the centuries without ever losing its evocative power.
Pierre Mollier is a French historian born in Lyon in 1961, specializing in the history of Freemasonry, iconography, and initiatory traditions. A graduate of the Paris Institute of Political Studies and holder of a degree in religious sciences from the École Pratique des Hautes Études, he directed the library and archives of the Grand Orient of France for nearly thirty years and also served as curator of the Museum of Freemasonry. Author of numerous books and articles, he is recognized for his work on the rites, symbols, and history of Freemasonry. As commissioner of several major exhibitions, he has contributed for decades to the preservation and dissemination of Masonic heritage to both the general public and researchers.
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