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The All-Powerful Conjuration
La Conjuration toute-puissante — pantacle de l’abbé Julio, gravure de 1908

Abbot Julio’s Pentacles

The All-Powerful Conjuration

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The All-Powerful Conjuration

La Conjuration toute-puissante — pantacle de l’abbé Julio, gravure de 1908

Original inks and lettering · 360 dpi extraction

2 min read

Three crosses accompany three formulas: Christ victorious, reigning, and commanding. Julio brings them together in a prayer of general protection.

Read the symbolism

The figure transcribes the three invocations explained in the note: Christus vincit, Christus regnat, and Christus imperat. The repetition of the crosses gives a visible structure to this triple affirmation. The old characters are preserved in the reproduction.

The attributed effects

The author describes the sign as a guard against attacks that he attributes to the spiritual enemy. He gives it an application in all circumstances, with the idea of constant vigilance and protection.

Usage according to Julio

Julio proposes writing the blessing of Saint Francis of Assisi on the reverse, then having the support blessed and consecrated. The note thus gives a detail specific to this figure: a text can supplement the image on its reverse.

A personal reading

For personal reading, follow the three crosses in order and read the three invocations explained in the note. You can make them the subject of a prayer about trust and vigilance throughout the day.

The source and variants

The note refers to the third volume, p. 69, and to the blessing of Saint Francis, p. 72. The large red cross of the Blessing of Saint Anthony belongs to another formula and another entry.

Abbé Julio, The Secret Book of Great Exorcisms and Blessings, Vincennes, published by the author, 1908. Explanation and application no. 53, p. 443. Practical advice on blessed and consecrated supports: pp. 462–463.

Classic directory numbering: 24 of 44. This numbering differs from the inventory of engravings in the old volumes.

Read the note in the 1908 edition

Engraving taken from the copy digitized by the Divinity School Library, Duke University / Internet Archive, at 360 dpi. Composition, typefaces, and colors preserved.

View the old plate

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