Éditions Trajectoire

The Great Book of Voodoo - Secrets Revealed

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Claude Planson, husband of the famous mambo Mathilda Beauvoir and Kanzo initiate, shares in this book a clear and direct vision of Haitian voodoo, which he considers a religion suited to modern times. He reveals the foundations of this tradition: its rituals, symbols, ceremonies, and the magical practices that stem from it. The reader discovers in particular the vévés, these sacred drawings that the author describes as true "punch cards of the supernatural." They are used to call spirits and play a concrete role in daily life, serving as supports for invocation or protection.

The book also addresses possession phenomena, explaining how spirits take form through participants, sometimes producing unexpected or even spectacular effects. Claude Planson emphasizes the therapeutic aspect of these manifestations, which allow the practitioner to release blockages or receive messages.

Since its first publication in 1999, this book has become a reference for those who wish to better understand Haitian voodoo. The reissued 2021 version does not change the content; only the presentation has been updated. It is a clear, comprehensive, and accessible work that helps to better grasp the richness of this often misunderstood tradition.


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Information & features
  • Author: Claude Planson
  • Publication date: May 2021
  • Size: 24cm x 15.5cm
  • Weight: 306g
  • ISBN: 978‑2‑84197‑842‑7
  • Version: French
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Claude Planson, husband of the famous mambo Mathilda Beauvoir and himself a Kanzo initiate, offers in this book a simple, honest, and deeply respectful look at Haitian Vodou. For him, this tradition is not a relic of the past nor an exotic curiosity, but a living religion that has its rightful place in the modern world. Through his personal experience and observations, he presents an accessible Vodou, stripped of prejudice, and rooted in the reality of those who practice it daily.

The book explores the fundamental aspects of this tradition: rituals, prayers, altars, offerings, chants, as well as the specific objects and gestures that give strength to the ceremonies. A large section is devoted to the vévés, those sacred drawings traced on the ground, which act as points of contact with the spirits. Claude Planson describes them as essential supports, both symbolic and operative, capable of channeling energies and provoking a spiritual response in the visible world. These signs play an important role in preparing rituals, protecting places, and opening paths in the practitioner's life.

The book also addresses possession, not as a strange or frightening phenomenon, but as a central experience of Vodou. It explains how spirits manifest, what they seek to communicate, and how these moments of "overlap" can have real therapeutic value: emotional relief, guidance, inner healing. Far from caricatures, Claude Planson puts things in their proper place and shows that these practices have meaning, function, and very concrete usefulness.

First published in 1999, the work was praised for its clarity and seriousness. The 2021 reissue does not change the content: only the layout and format have been revised. The text remains identical, faithful to the author's vision. It is a fieldwork book, written by someone who knows firsthand what he describes and simply wishes to share this knowledge with those who want to understand Vodou beyond the clichés.

Claude Planson is a French author recognized for his work on Haitian Vodou. Husband of mambo Mathilda Beauvoir, a respected Vodou priestess, he was initiated within this tradition, earning the title of Kanzo. In 1999, he published a reference work on the subject, offering an accessible and respectful perspective on this spiritual practice. This book, reissued in 2021, explores the rituals, symbols, and ceremonies of Vodou, highlighting elements such as the vévés—sacred drawings used to invoke spirits. Claude Planson also addresses possession phenomena and their therapeutic role in Vodou culture. His work contributes to a better understanding of this tradition, often misunderstood or misinterpreted in the West.

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