Éditions Dervy
The Esoteric Thought of Leonardo da Vinci
Painter, sculptor, anatomist, inventor, and engineer, Leonardo da Vinci embodies the ideal of the universal mind. Considering painting as the visible expression of a broader order, he left behind a body of work that continues to provoke questions through its symbolic richness. In this study, Paul Vulliaud chooses to set aside Leonardo’s manuscripts to focus on his pictorial production, which he approaches as a language in its own right, carrying hidden signs and meanings.
Through careful analysis, the author highlights the correspondences and symbolic intentions that run through the works of the Florentine master. This reissue of a now classic work invites readers to rediscover Leonardo da Vinci from a often overlooked perspective, offering an enlightened reading of his pictorial universe beyond modern interpretations and contemporary myths.
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Information & features
- Author: Paul Vulliaud
- Publication date: May 2009
- Size: 11cm x 18cm
- Weight: 130g
- ISBN: 978-2-84454-596-1
- Version:
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Painter, sculptor, anatomist, inventor, and engineer, Leonardo da Vinci embodies the ideal of the universal mind. His conception of painting as a visible expression of a greater order runs throughout his work and has fueled an uninterrupted reflection on its symbolic meaning for centuries. This book approaches Leonardo not simply as an artistic genius, but as a thinker whose pictorial creation fits within a coherent worldview.
Painting as a symbolic language
In this study, Paul Vulliaud chooses to set aside Leonardo da Vinci’s manuscripts to focus exclusively on his pictorial output. He considers each work as a language in its own right, carrying signs, correspondences, and hidden meanings. Through a careful analysis of the paintings, the author highlights the symbolic intentions that structure the composition, gestures, gazes, and the organization of pictorial space.
Rediscovering Leonardo da Vinci differently
This reissue of a now classic work invites readers to rediscover Leonardo da Vinci from a less explored angle, far from contemporary readings and recent interpretations. Paul Vulliaud offers an enlightened and rigorous reading of the Florentine master’s pictorial universe, restoring the symbolic depth of his works. The book is aimed at those who wish to go beyond modern myths and gain a finer understanding of the thought that runs through Leonardo da Vinci’s art.
Paul Vulliaud was a French writer, scholar, and historian born in 1875 and died in 1950, mainly known for his work on Kabbalah, religious symbolism, and the history of esoteric Judaism. Trained in literature and ancient languages, he developed early on an interest in ancient spiritual traditions, which he approached with marked intellectual rigor and a solid theological background.
He distinguished himself by his desire to place Kabbalah in its historical, linguistic, and religious context, far from the fanciful or occultist interpretations of his time. His works, including La Kabbale juive, La Kabbale pratique, and his studies on the Zohar, reflect in-depth research on Hebrew texts, medieval sources, and rabbinic commentaries. Vulliaud primarily sought to restore the complexity of this tradition by showing its connections with Judaism, philosophy, and medieval mysticism.
His work holds a unique place in the French intellectual landscape, at the crossroads of academic scholarship and spiritual research. Without belonging to the occultist movements of his time, Paul Vulliaud profoundly influenced the Western understanding of Kabbalah by offering a demanding, well-documented, and respectful reading of the sources.
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— The Carnets d'Aeternum , practices and history of Magic.
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