Skip to content
AeternumAeternum
0
Remiel — history of traditions
Gustave Doré, illustration du chant V du Paradis de Dante. Illustration symbolique ; ne représente pas nominativement Remiel — histoire des traditions.

Archangels: Bible and Traditions

Remiel — history of traditions

6 min read

Remiel appears among the seven holy angels in the First Book of Enoch, in chapter 20. The text places him in relation to those who are to rise, an expression that has brought him close to the themes of resurrection and hope at the end of time. His name is transmitted in several forms, including Ramiel, and has been associated with Jeremiel, a figure in other Jewish apocalypses and certain Orthodox traditions. These similarities nevertheless require careful reading of the texts: the same function or a similar spelling is not enough to identify all the figures with certainty. The story of Remiel is above all that of an angel in ancient apocalyptic literature.

Name Remiel; Ramiel forms, manuscript variants
Major source 1 Enoch 20:8
Attributed function Watches over those who are to rise
Religious theme Resurrection, judgment, and hope in apocalyptic literature
Related names Jeremiel in 4 Ezra; debated identifications
Reception Ancient Jewish literature and Eastern Christian angelology

Remiel in the list of the seven watchful angels

The First Book of Enoch contains a list of seven holy angels in chapter 20. Their names are associated with functions concerning the heavenly order, judgment, and the human condition. In R. H. Charles's translation, the final place belongs to Remiel, presented as the one whom God has appointed over those destined to rise. The sentence is brief, but it provides a precise reference point for understanding his place in tradition.

The word “rise” is particularly significant in apocalyptic literature. It refers to the hope of a divine intervention that surpasses death and the limits of present existence. The Book of Enoch develops a view of history in which injustice does not have the final word. Angels play a role in representing this justice and the destiny of human beings.

Remiel is not presented here as a character who meets a man on a road. His function is described in a catalogue, and his name is understood in relation to the entire list. This is the context that must be preserved when examining later interpretations.

Resurrection in ancient Jewish apocalyptic literature

The hope of resurrection develops in several forms in the Jewish texts of antiquity. The Book of Daniel already speaks, in chapter 12, of people who awaken from the sleep of death to receive different destinies. The language of this passage expresses the idea of a judgment that the ordinary conditions of life are not sufficient to bring about.

In the First Book of Enoch, Remiel's presence among “those who rise” belongs to this same group of questions. The authors seek to understand the destiny of the righteous, the fate of the dead, and the way in which God will restore his justice. The angel does not become the independent author of resurrection; he appears as a figure associated with the divine order surrounding it.

This distinction is essential for understanding the place of the name. Contemporary claims that present Remiel as an angel able to direct a person's destiny do not reproduce the perspective of chapter 20. The text refers to a collective and eschatological hope, not to an individual promise obtained through a ritual.

Remiel, Ramiel, and Jeremiel are not automatically the same

Remiel's name has different spellings across manuscript traditions. The form Ramiel appears in other apocalyptic texts and has been associated with Remiel's name. Researchers must nevertheless compare the languages, contexts, and functions before deciding whether several manuscripts are speaking of the same angel.

The case of Jeremiel is particularly interesting. In the Fourth Book of Ezra, transmitted in several Christian settings under different numbering systems, an angel bearing this name answers questions concerning the righteous dead and the fulfillment of time. The two figures appear connected by their area of intervention, but their identity is not an established fact in all witnesses.

The Orthodox tradition also knows Jeremiel among the archangels mentioned in certain presentations of the synaxis of the heavenly powers. The name used by this tradition should be retained rather than systematically replaced with Remiel. A comparison becomes informative when it respects differences instead of erasing them.

The Book of Enoch and traditions of judgment

The Enochic corpus consists of several collections in which visions of angels serve to reflect on the destiny of the world. The accounts of the Watchers, heavenly journeys, and descriptions of judgment are brought together by a common concern: understanding the disorders of history and how divine justice can answer them. Remiel's name belongs to this intellectual horizon.

The book circulated in Jewish antiquity, and the fragments discovered at Qumran confirm the importance of this literature before the Christian era. It was later transmitted mainly in a complete form in Ethiopian Ge'ez. Its reception differs among traditions: it is part of the biblical canon of the Ethiopian Orthodox Church, but not of that of the Roman Catholic Church.

This transmission history explains why Remiel's name remains known to some readers of ancient texts without holding a stable place in Western Christian calendars. The primary source remains an apocalyptic work, not a liturgical narrative devoted to an individual archangel.

Interpreting angels in ancient visions

In several Jewish apocalypses, angels answer the questions of seers confronted with difficult visions. They explain images, announce trials, or recall the limits of human understanding. Jeremiel's role in the Fourth Book of Ezra belongs to this world of dialogue about time and the destiny of the dead.

These texts do not describe a world in which every angel must receive a function connected to the immediate concerns of a believer. They use heavenly characters to stage the relationship between a human being and knowledge that he or she does not possess alone. The names of the angels thus become elements of religious teaching and a representation of justice.

The comparison of Remiel and Jeremiel helps explain the development of angelic catalogues. It is not enough to recognize a resemblance: each name's function must be restored within its original work.

Remiel's place in imagery and reference guides

Unlike Michael, whose battle against the dragon provided an immediately recognizable iconography, Remiel has no universal portrait fixed by the Bible. Modern representations give him a lamp, a book, or attributes evoking hope. These images respond to an interpretation of the resurrection theme rather than to a material description contained in 1 Enoch 20.

Calendars, stones, and hours gathered around Remiel in certain spirituality reference guides are also later developments. They can be studied as evidence of the history of angelic reception, but not presented as an obligation derived from the ancient book.

The name retains its power when we return to the words transmitted by Enoch: a watch placed beside those who rise. This expression brings justice and hope together within Jewish apocalyptic thought, giving Remiel a particular place among the figures of heavenly judgment.

Remiel's presence within Enochic traditions also invites the study of Uriel, whose role concerns, among other things, the heavenly calendar. The differences between these figures show the variety of angelic functions described in Jewish apocalyptic texts.

Sources and references

First Book of Enoch, chapter 20, 8, Remiel and those who rise, translated by R. H. Charles.

Daniel, chapter 12, resurrection and judgment in the apocalyptic tradition.

Bible Gateway, “Jeremiel” entry, the Fourth Book of Ezra and associations with Remiel and Ramiel.

Orthodox Church in America, synaxis of the archangels and the presence of Jeremiel.

Illustration: Gustave Doré, illustration of Canto V of Dante's Paradise, a historical public-domain work. A symbolic image of the theme of angels, not an ancient portrait of the figure named in this article.

Cart 0

Your cart is waiting for you.

Start Shopping
Pay in 3 or 4 instalments at no extra cost