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Adonai
Adonaï — pantacle de l’abbé Julio, gravure de 1908

Abbot Julio’s Pentacles

Adonai

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Adonai

Adonaï — pantacle de l’abbé Julio, gravure de 1908

Original inks and lettering · 360 dpi extraction

2 min read

Two triangles meet around the sacred name. Julio sees in it a relationship between the greater universe and the person, the Creator and His creatures.

Read the symbolism

The note discusses the macrocosm and microcosm and identifies the name IÉVE at the center. The small triangles bear Adonai. The alpha and omega refer to the beginning and the end. The inscription develops the theme of God as the source of salvation.

The attributed effects

Julio assigns the sign an application in grave danger, despair, abandonment, and destitution. The text gives particular importance to the plea for help when a person feels deprived of support.

Julio’s use

Adonai is understood as a supplication aid prepared according to the practical advice in the work: blessing, consecration, and prayer. The note does not provide any planetary correspondence to apply to the two triangles.

A personal reading

For a personal reading, look at the meeting point of the two triangles and the center they share. You may formulate a request for help by starting with what isolates you, then acknowledging the connections and sources of support that remain possible.

The source and variants

The reproduction is plate no. 3 of the third volume. The six-pointed figure is distinct from the five-pointed Pentagram, even though the sacred names and certain protective intentions overlap.

Abbé Julio, The Secret Book of Great Exorcisms and Blessings, Vincennes, published by the author, 1908. Explanation and application no. 51, pp. 441–442. Practical advice on blessed and consecrated supports: pp. 462–463.

Classical directory numbering: 22 of 44. This numbering differs from the inventory of engravings in the old volumes.

Read the note in the 1908 edition

Engraving taken from the copy digitized by the Divinity School Library, Duke University / Internet Archive, at 360 dpi. Composition, lettering, and colors preserved.

View the old plate

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